A 'monolithic' experiment in extremely minimal non-music constructed in two long parts.
If the first part is dominated by a background based on a single sound rich in harmonics that oscillates on its own wave-like vibrations, resting on a substrate of what can be at the same time a synthetic pink noise or the real 'capture' of a natural quasi-silence, in the second part a few sounds of a more overtly electric/electronic matrix, a tangle of faint high-pitched looped elements added to a single, more static sound, overwhelmed by a continuum of creaks probably derived from recording vinyl tracks, lead to another half-hour of sound content without substantial surprises or variations on the theme.
An extreme work, more in its conception than in its sonorities, which instead always remain delicate and almost 'whispered', perfect for those who are not 'in a hurry' and are not afraid of either silence, darkness or the passing of time.
